Alexandra Kaufmann was born in 1979 in Munich, Germany. After completing her studies of economics in Munich and Cape Town, she studied journalism at a long distance university in Berlin. She took screenwriting courses with Martin Thau, Keith Cunningham and Tom Schlesinger before studying directing at the ZeLIG School for Documentary, Television and New Media in Bolzano, Italy. During and after her studies she has been researching episodes of the TV series “Gernstl in Bavaria, Greece and Veneto“, a series produced by Megaherz Film and Fernsehen for Bayerisches Fernsehen. With the support of the South Tyrollean Film fund she realized her graduation film „Being You, Being Me“ which has been shown at important film festivals in Florence, Kalcota, Munich, Perugia and Minsk where it won the award for the best 1st and 2nd documentary.

 

 

Sonja Kulkarni was born in 1981 in Austria. 2012 to 2014 she produced with her company Evolution Film the theatrical documentary MATCH ME! - HOW TO FIND LOVE IN MODERN TIMES together with Bavarian Broadcast (BR) and ARTE, which premiered in the competition of DOK Leipzig and is released theatrically in Germany (01/2016). Since 2015 she is additionally working for RECK Filmproduktion in Zurich, Switzerland. 2009-2011 she was working as freelance Producer for the theatrical documentary „Glücksformeln“. As an author, in 2011 she co-wrote MATCH ME! and won the first price at the BR TELEPOOL Treatment Competition for her script MIRRORED BY HORSES. 2002 to 2007 studies in film production and cinematography at the film academy Vienna. Responsible as producer for numerous short and medium long films, like the 52 min feature „THE BIG BLISS AS IT WERE“, which was her diploma film and broadcasted by BR in 2008.

 

 

Livia Romano was born in Genova in 1986. After she graduated in Art, Cinema and Theatre in 2009 at the University of Turin, she attended a 3-year-course in camera and lighting at the ZeLIG School for Documentary, Television and New Media of Bolzano. In these years she realized different documentaries as a cinematographer like "Loving and Leaving" directed by Alexandra Kaufmann and "Un fin del mundo" directed by Tiziana Poli. During and after her studies she worked in the camera departement for cinema productions as video assist and second camera assistant. She also continued to collaborate for documentaries like "Dal profondo" of Valentina Pedicini, winner of the Doc Award at the Rome Film Festival 2014 and Bar Mario di Stefano Lisci (in production).




Silvia Mazzarella was born in 1982 in a little town near Viterbo, Italy. She studied cinema and arts in Rome, Barcelona and Bologna, where she graduated in 2009 with a thesis about Joris Ivens' documentary "L'Italia non è un paese povero". During the studies she collaborated with several web-tv programs working in the editorial office as an editor and she assisted in organizing documentary festivals as DocUnder30 and the SalinaDocFestival (Art director: Giovanna Taviani). Because of her passion for documentary, in 2010 she moved to Bolzano to study editing at ZeLIG-School for Documentary, Television and New Media: in 2013 she obtained her diploma with the movie “Elsewhere”, directed by Ane Helga Likka. After the studies she worked as an assistant editor for the tv-series for Rai2, the Italian Television (Rex, season VII and VIII; L’ispettore Coliandro-Il ritorno), Dal profondo (Best Italian Documentary – 8’ FF Rome 2013) and „Lass Springen Baby!“ produced by Motorfilm Zürich and Miramonte.



Catherine Evans from Australia, Piotr Pietrus from Poland and Vasili Vikhliaev from Russia accompanied Alexandra Kaufmann to Costa Blanca to shoot the trailer. As a team we were as international as the group of volunteers helping out at Lois' farm. After spending one week with them we felt like a big family and even sometimes like part of the horse gang. No wonder that we grew together very fast. While we were there we witnessed how Lois and the whole team said goodbye to two old and ill horses before they were released by the veterinarian. But we didn’t only shed tears together, we also spent moments full of joy. For example, when a huge and beautiful horse, with self-esteem the size of a mouse, slowly became aware of his size and started to become part of the herd.